Love I think has side doors, ways to enter unannounced, behind the main stage, below the orchestra pit. Oh, but to fly down to the center spot from the mezzanine tethered to a taut invisible wire, a nymph dreaming of a midsummer night. But then what? Soliloquy, bow, curtsy? A pas de deux followed by fond adieu? I'm through your cellar window, past sorrow, stumbling over joy in the dark and damp. Overhead, a string, a pullchain of light, evades my touch with each stretch to grasp it. © Carlos Chagall, 2013

Oh my…woooo, one must remember to leave all cellar doors unlocked. 🙂
This is beautiful; a pictorial of love’s measure…nice!
Best to double-bolt all of your doors and windows, at least that’s true here on the lower east side! —–Chagall
Reblogged this on Alphabet City.