Archive for June, 2013


It’s Just Me, Friday Night

I really can’t be more polite than this,
but I think I can be more direct.

Do what you do,
don’t stop now.

Those electric blue dragonflies
appear to be following.

Cascade baby,
whiz by your chin like a high fade.

Zip the mitt,
pop-pop the web.

Two and ohnooooo!

Sometimes I crack myself – pour and flow, keep my sunny side – up.

Slow riders on quick dreamscapes
flutter-by like Ali in Zaire.

Tight wire, but a thick rope,
looks like somebody knew their knots.

Love you, blow you kisses,
bring you moons, safe harbor-lights.

I love the spaces you carve when you dance,
a little shoulder shake.

Birds singing over Harlem, in free-fall,
like a lullaby.

We’re going bye-bye baby,
dress nice, smell something good,
and I’ll do the same, pressed tight,
stinging like a-bee-a-back-beat-jab,
simple cymbals, rope-a-dopamine,
to calm the jitters, feet
all tangled up but then . . .

I glide –
oh yes!
and then I slide –
tada!

© Carlos Chagall, 2013

Lilac window-box,
an old man hoses the street,
in morning sunshine.

© Carlos Chagall, 2013

कल्प

Tomorrow, in retrospect,
wasn’t even the case.

You got all caught up on the eve
and then caved in.

It was supposed to flow
to where it turns back on itself.

That’s what we said;
we agreed to a point.

A kalpa only,
not a moment longer.

© Carlos Chagall, 2013

There’s a combination of words, somewhere in here,
if I get ’em right, they’ll light up there;

maybe come in at an odd angle,
find the flow, outskirts in,

a beeline
to the heart of it,

maybe bounce on that, for a while from the inside-out.

Where are you, words who make it plain?
Come out, come out!

Low ceilings, flat echoes,
big halls, round sounds swell,
sway like water balloons on branches
the girth of your wrists.

I kiss the backs of your hands,
small sweeps of warm lips
on that spot where you’d balance the world.

Lean in and listen, I just got to say,
somethings gotta give, I just feel it,
you know what I mean?

I don’t splash in all the puddles,
I try to leave the best for the rest to enjoy.

I’m a time traveler,
I’m a space invader,
I’m a mocha chocolate chippy for you.

Word combos, ballroom letter mambos,
OYE PEOPLE CONGA LINE!

from here to
(touch the middle of your forehead)

© Carlos Chagall, 2013

Life Pearls

Darkness.

The air is cool,
a powder-blue spot
soaks the black
with hush.

The sharp rap of heels
across the stage,
picked up by the mic as I near.

No one.

The hall is empty,
save the light-man
and me.

Dance.

Arms and legs cross,
I carve graceful lines,
pirouette.

And rest.

Darkness,
the air is cool . . .

© Carlos Chagall, 2013

Simple Like When

chagall backdrop

So much to do,
to get to you.

Think, write,
speak, then wait
for you.

Air carries
me, my sound
to your drum.

Ticklish cilia
let you
hear me.

Pheromones moan,
how silly, mon petite amie.

I’m upside-down,
there in your head;
eyes right me up!

Kisses happen
the moment before
you realize.

But my heart
persists on a tight-wire,
your same pulse.

Beating quantum
at the synapse,
the heat we share.

Your name
is your aroma,
the things I know you by.

The feel of an eyelash,
open, close,
on a cheek.

A tear’s last moment,
at the jaw line,
just before the drop.

Never felt
so weightless
before.

Or
ever
since
after.

© Carlos Chagall, 2013

He ran a calloused thumb,
over the Zippo flywheel,
out of flint and Ronson.

An older guy, the Navy taught him
to run between raindrops on flightdecks.

On the Boston when Spearhead Marines hit Iwo,
works now at Gabrow’s Toy Store,
there on Avenue B.

Runs numbers for Connie from the pizza store,
who works for Lucy, whose married to
Tony the Barber.

Watches Bilko, Burns, and the Beaver,
has a crush on Coca and Miss Brooks both,
fancies himself to be Palladin.

Sometimes hangs with Blackie from the garage,
or Alvie the addict,
remember – he used to date Momo’s girl?

Got beat up by the guys from Avenue D,
who thought he was someone else.

Has an egg-cream and Joyva jelly bars,
every day at Sid’s,
with the kids
when they come home from school.

Owns Action comics, one through ten,
in absolute mint condition.

But he’s misplaced his reel-to-reels, the original satins,
Art Blakey live at Birdland.

Knows how to treat a lady during slow dances,
like the Elevator, the Five Hundred, The Press.

Likes taking his time,
with Bonomo Turkish Taffy.

Is a Dodger fan,
but secretly likes Rizzuto.

Will not live to see fifty,
killed by a time traveler with a knife and a cape.

© Carlos Chagall, 2013

So I am obliged to carry
your walking dead.

Or should I just shrug it off
down the line?

Neither here, nor there
we play peek-a-boo.

Puffed copters,
confetti on the floor.

This room,
this thought.

It’s New Year’s Eve.
“You there! In the rubber-band hat!”

Come quickly,
they’re dropping the ball!

Yours is a question of trust,
mine is one of ethic.

People willing to say:
here’s what I know, take what I have.

A kiss at Times Square,
January steam rising from warm lips.

When young deejays and flames,
still had their whole lives ahead.

© Carlos Chagall, 2013

A Pied Balloon

The arc of my float,
over the village,
a shallow parabola,
steady, deliberate
Pan on a taut guide,
level with those in the loge.

No one flies like this these days,
not like this anymore;
jump, trust, merge into updraft,
simple flip-gravity, easier to float
if you close your eyes.

How I love ascension,
my body carved, massages the flight:
Victory winged at Samothrace.

I’m young and crazed,
a romantic in the gondola, a pied balloon,
throwing out ballast to rise!

At night, low altitude,
I cherish the sight, your fires,
you hovered in the round,
my vantage point just above
tops of pines that surround.

Your laughter draws me,
I lower the flame,
I settle down,
pilot to a spot
right about where you sit.

© Carlos Chagall, 2013

 

and there was Marvin, collar turned up to the rain,
Detroit falsetto, soars and says, “I see you world,”
sandpapers your soul to a smooth edge,
the syncopate rat-a-tat of conga accentuates
the question brother, of what’s really happening,

drop the needle on Abraxas,
outwait the whir-up hiss,
the outer groove of the vinyl,
enter the ancient, the Mayan,
dulcet rubato, a samba for only you,
a reason to wield your magic sticks.

she used to live in a room full of mirrors,
when 6 was 9, restrung, upside-down,
a weary broom, sweeping debris off the ridge-line
at Pali Gap, where we’d drop downs off the edge of our hands.

at the bungalow, L.A. women on the freeway
scream at the tops of their lungs,
if anyone knows from whence the salt air.

big yellow taxis were way too expensive for us,
we walked,  Williamsburg to Delancey,
searching for remnants of paradise paved over.

© Carlos Chagall, 2013