Archive for June, 2013


Hologram From The Edge

Ashy indigo, backlit evening sky,
echoes the call across the universe,
orators prowl the low-end of the dome,
beneath the ear of any listener.

How’s your modulate, do you tune in so finely?
A tough station to catch at any time,
it’s undoubtedly easier at night,
signals bounced higher off star factory.

But we just don’t know for sure who’s watching.
Leaps from the edge, the event horizon,
end up in free fall to infinity,
to mornings in your bedroom, years ago.

Trap door bottoms out directly to you,
naked, your room’s light, bundling potpourri,
lavender, mint, melissa, and ginger,
aseptic, astringent, beaming holy.

I pull you back down, you’re preoccupied
carefully tucking the fine cotton gauze,
spilling tinctures, aromas on the bed,
so many sparkly beads at the party.

The pain of loving you overwhelms me.
I want to do nothing but pulse and stretch.
I know it’s short-lived, I’ll have to ascend,
back up the funnel, to free-fall, to Time.

For now I contemplate the reverie,
the joy of being anywhere at all,
let alone being anywhere with you,
this time, here, because, us two, doing our thing.

We are long-lived, we transcend the other,
leapfrogging our way to a lonely place
deep in cold space, out beyond the limit,
jettisoned, in eternal smooth motions.

Buoyed, embryonic, placenta fragments
like jigsaw pieces made-to assemble,
into odd shapes, misgivings, melodies
we sing only to ourselves late at might.

Charcoal violets, opalescence, twilight,
pearls throb tremors of rainbow in moonlight,
a kiss rips a hole in cracks of lightning,
leaves burnt sugars behind where we once stood.

© Carlos Chagall, 2013

The Voice

ahem.

searching for a voice,
but why?

mercurial – don’t ya think
is better?

Static me,
a hum. Blah.

A bum; la-la.
Shoo-bop’s the way.

What I say today
nears expiry,
the moment it exits my mouth.

© Carlos Chagall, 2013

The Sky and Me

The sky today moves quickly,
low, creeping,
clouds flit by skimmily,
like chinese glass,
on blue silk, plush down,

baby ducks, lemon spikes, meringue’s
soft peaks, twirled –
moving into out-of-frame,
briskly cascading, rotating there:

clouds on a carousel, over my head,
in rapid sky movement.

I thought to see
the world through the eyes of a child,
was a figurative saying.

Instead it’s literal.

Adjust your focal length
to that of a child;
it’s a broader, less focused stare.

Now
observe the sky, it flattens, comes closer,
you’re big,
the clouds are all
you want them to be,
right there at the very tip

of your nose:

at night you bang
you head on Andromeda.

© Carlos Chagall, 2013

 

Odd, that I know
more telephone numbers
from years ago, than I do from now.

Could rattle yours off in rhythm,
do-wop, blue-eyed: soulful.

Your voice was analog then, coming through
the earpiece diaphragm, a black heavy handset,
you landline babe – you! – not digital.

It resonates still against my cheek
yet struck duller tones then
against my pillow.

Sometimes you’d drift,
perchance to dream,
we, still talking,
while morning trucks started
slowly making their way,
hello to the new day.

Okay, let me let you go.
Go get some sleep.
Sleep will do us both some good.
Good night.
‘night.

© Carlos Chagall, 2013

I wonder if people
from across the way
can see me standing
here while I pee.

Perhaps these curtains
are just too sheer?

© Chicheme, 2013

The cold smooth mettle on my palms feels good.
Who’d settle for less? Resilience, brilliant.
Brittle determination, once again.
If at first you’re not succinct, keep trying.
How hard can it be to love a goddess?
Through this powdery mist of calcite dust,
smiling skulls, sentries o’er the center aisle,
chatter and yap about what would’ve been,
lost in the din of her banshee wailing,
as she fritters and frets at the altar.

I still have half my lives, should I worry?
She mallets a xylophone with femurs,
marimba riffs echo in the belfry,
a little daft, cold drafts still, music drifts,
spirals about her, world-beaten dervish,
hungry, weary, oh . . . Oh! Is that the spot?
Spirits resort to ancient tongues, archetypes
press themselves against her stained glass, her apse,
serpentine, mitochondria two-step,
bandannas, denims, and ten-gallon hats.

She bucks the bull without spilling a drop,
her grand cru, a select, distinguished press
comes after the crush of the late harvest,
sweet pulp taken from just below the skins,
careful to remove it from the gross lees
early to avoid the nose of sulfur
that sometimes comes from delaying the heart
too long; let gravity do its magic.
Get the white smokes going to purify
bodies, their bare ass atop cold marble.

I will shake you till your demons break loose,
blow into your lungs, straight through your nostrils,
in sweeping expanses, shift your tempo
to beat with the rhythms of the garden,
celebrate each uptick of new-found grace
in domed silence, ignoring the vanquished
who try hard to detract me from purpose,
as I slip and slide on the viscera
of your most recent spoils, your satyrs
wink and take bets if whether I’ll be next.

© Carlos Chagall, 2013

Memo


To those who don’t get it:

Please don’t hurt us
while we wait.

Especially since,
we wait for you.

© Carlos Chagall, 2013

She, eloquently,
recited his passages,
as he once would have.

© Carlos Chagall, 2013

Madam Recommends

Shoots from the hip,
my upstart, upright protegé,
shimmies like that rich chick Kate,
in chin-length bob and skirt to there . . .
no, higher.

She’s pleased to make
your acquaintance,
bacon, eggs, dry martinis,
your day, you come. Just ask . . .
nicely.

Charleston flapper, sequined queen,
quite a quazy wady . . .
like Katie.

Okay. Oh, hey!
Whatever happened
to K?

Kept going at it
till they swept her away,
off her feet, her game.
Keep hoping she comes back . . .
kinda liked her.

Likewise Bobbie, I’m sure.
I’ll leave you two,
call if you need . . .

© Carlos Chagall, 2013

Is The Stars

The streets smell like tar, chicharon, mofongo, wafts down alleys,
there on the early night air, linger tolls of the day’s end whistles
just audible, cresting the din, a halo,
diffuse, rainbow droplets in a peacock sprawl, fanned
about the hydrant sprays, suppressed by garbage can covers
to let Mr. Softee, fly chicas pass.

The old men play domino, slap them hard on formica tables,
remember tropics before the storm, when salt air veiled
tiny people in perpetual mourning, abuelito working hard with his hands, to push,
pull, polish, and grind, waiting for the night, the right time and way, to say
I’m sorry, it’s all there is, without knowing that it never was.

Nylon string guitar player on a stoop fingerpicks love songs in minor keys,
streetlamp out in front flickers wildly, buzz sparks, dies, leaving her
in hollow reckoning, approaching night, enhances the quality of her reverb,
at least for a moment, small there at the base, pulled steady upward by canyon effect, winds
whip, frenzy ascends to the rooftop, finds the blue hang above the gray,
catches currents that carry to the bridges, spanning then and now,
once and someday, care and neglect, replenish and die.

A lone wolf howls as she flamencos, throws her heart open,
twirled in creased cape, velour for sure, tenor from the isla way smooth
on glissando, hits high notes behind closed eyes, drunken breath, in a fog
that hovers mid-street, a single story above the gutter,
omniscient, watches the village grow, bled along its edge,
cheap madras, raindrops run on palm,
suspended at the broad tips, puff, grow, gradual engorge, burgeon,
burst to refresh, sere lips, dry eyes.

From the fire escape the world is one step removed. I’m a Capulet in my prime, Tybalt’s uncle,
forever pensive, resolute in steadfast impression of myself, a cold rock on a hot night,
the air brakes of city buses on the avenues, my line of sight continuous, east to west,
the cacophony of good night kisses, late night spats, the audible REM of people dreaming while awake, a symphony without maestro, a masterpiece without sympathy, a sterile narcotic, the opiate, the people, the tension, the tensile strength of the cables that hold it aloft exceed the spec, so easy to overlook the speck unless it’s dead center on the lens, looms large like the shadow of iguanas cast on walls of caves by candlelight, by firelight, at this focal point, from this vantage, late in the evening, when the day is lost, simple people scurry, gathering what they may, in the fleeting hours of day, to laugh their lives away.

© Carlos Chagall, 2013