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Haiku For Life’s Triptych

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By the time you blink
now – before you grasp it’s gone
life conceals itself

Two real eyes gaze out
emit light with no body
life intoxicates

Seemingly demur
but then a seductive grin
blows a kiss my way

© Carlos Chagall, 2013

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Fukushima plant
radioactivity
we must awaken

Central Africa
dead Banguese children on streets
awaken we must

Fort Hood massacre
psychotics fronting for God
must we awaken?

Libyan militia
ambassadors dead for votes
awaken – must we?

Iran and the nukes
are our new dukes of hazard
must awaken We

Iraq, Pakistan
shoppers and soccer fans dead
we must awaken

Ambush in Kashmir
fire cannons blast the crowd
awaken we must

U.S. denounces
Vietnam’s clampdown on Tweets
must we awaken?

BP at the gulf
mutant shrimp ponder the brine
awaken – must we?

Who you think’s richer
UBS or B of A?
must awaken We

Governors, mayors
bribing – sexting – on the take
we must awaken

American dream
owning a home gets harder
awaken we must

Gunfire at town hall
evicted who take revenge
must we awaken?

Alabama’s po’
dang, ain’t as obese no mo’
awaken – must we?

Manson, Arts, page 1
Verdi’s Falstaff, page 7
must awaken We

Dopers at the plate
tainted horsehide flies so far
awaken we must

Must we awaken?
Evil is barely contained
shrouded in its grin

Exposed long lean legs
wrapped around your hips and face
undulating tongues

It knows what to do
ego strokes your libido
it’s power and sex

Alienation
it’s dehumanization
lost in the garden

Must awaken We
I’m sure We’d hate to miss it
being the last show

© Carlos Chagall, 2013

Haiku For Eva

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It is better late
for never’s too long a time
my apology

© Carlos Chagall, 2013

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So delicately
tentatively propped on top
steady back don’t breathe

© Carlos Chagall, 2013

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We all get smaller
as the universe expands
the world fades both ends

Life’s center looms large
dimmed creation’s fire is quenched
where no sighs exist

Long still reckoned pause
deep rumble, ground gears, next shift
gentle momentum

Young girls with flourish
fan pleated flower bouquets
start us up again

© Carlos Chagall, 2013

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Branca knew it too
the written moment unleashed
his was history

© Carlos Chagall, 2013

They’ll Be Ready In A Week

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Found an old roll of film in a worn bag
I used to carry traveling summers:
tight-wound canister, stills undeveloped,
Kodachrome, color, one-twenty, twelve-shot.

Long gone light, maybe the time when we smiled
that August day, wind-streaked, of the ocean
waters that churn yet somewhere, but not here.

Sand grains caught in the uptake spool,
on the bottom of the leather duffel,
brushed perhaps from your hands, your face,
the nape of your neck, at the end of day.

Tanned children trot with kites along the shore
their voices trailing faint but still alive
arabesques of laughter atop the waves
where young swimmers start journeys to Europe,
or Asia, or just to the buoy and back.

Bi-plane pulls a banner
across graying skies, says All you can dream!

Bare bulbs light the boardwalk,
the tick-a-tee spin-down of Fortune’s Wheel
stops here. Does the sand still hold your body?

And when autumn came I left the bag packed,
amazing how things can keep when untouched.

The film? The labs have all closed down,
there’s no place left on earth to develop,
to bring to life the life that was that day –
Kodachrome is now just a curio.

© Carlos Chagall, 2013

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Long

ago

I foresaw

this next moment

clear as day, that night

imagined me older

recalling the younger me,

in time aligned, eclipsed, we weep

the self thinking one thinking of self,

both of us knowing it is meant to be

© Carlos Chagall, 2013

Haiku For Identity

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In time You will know
the self you intend to be
they say three’s a crowd

© Carlos Chagall, 2013

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Midnight

it’s time to leave

the Lama said just jump

shift gravity rings, float away

find peace

weightless

know your own insignificance

that’s the secret of flight

Nagarjuna

taught us

© Carlos Chagall, 2013

see Carlos And The Moon