I shout
hey shithead
don’t shit on my chair
as I shoo the bird away
and move my chaise
to the shade
cc: CC ‘23
I shout
hey shithead
don’t shit on my chair
as I shoo the bird away
and move my chaise
to the shade
cc: CC ‘23
Marks on paper not unlike scars make us smile
cc: CC ‘23
I've run out of cerulean
- cyan too -
just when I'm here,
kicking off sandals
Yet,
I gavotte at the sea
and imagine I bleed
with the sand, the sky
A bird shadows my shoulder
from high, then walks beside me
pecking at smooth white stone
awash
In froth we quick-step
atop spongy beach
I feed her maize
from my easel,
ochre plantains,
sweetest blackest
banana
For me she sports her colorful back,
plumes and wingspans and I
have since restocked
with all sorts of blue
cc: Chagall '23
This morning I recorded the sound of chainsaws, and the screams of dashed dreams of red-shoulder hawks
cc: CC ‘23
Over the years I’ve learned
if watermelon is well textured,
refreshing, it need not be that sweet,
and biscotti dipped in cold milk
need longer to soften
cc: CC ‘23
Long ago she talked about talking
in present tenses
God, how I miss that,
how deep my yearn
no one nowadays is
so many adults,
so fucking mature
cc: CC ‘23
There is too much shadow in the open field, awry, amiss, no sign of the shadowed, when I turn my back, will it be gone cc: CC '23
Is it brighter nearer or darker farther, or are they one the same? cc: CC ‘23
Earliest cuneiform, sacred symbols, feminine eyes, cradled star babies, translates roughly
to peek-a-boo!
cc: CC ‘23
I would feed from her palm,
fronds and seeds mostly,
respite - a chaw of Godly green
for the soul, to partake,
to lap the cold run
water
refreshing, the brighter suns,
the most forgotten days
I’ve known, yet
neatly abandoned,
an old house
on a dune
faded blue
sanded, salty by
water, it’s nature
its tears
reappear
cc: CC ‘23