Tag Archive: Arts


Idle-atry

chagall backdrop
Brief stretch of free time,
this three-day weekend
wells up inside of me.

I seek to savor each moment,
from Friday’s sunrise to Sunday’s set,
every tick in between,

with you.

I will time to stop,
flow back to the source,
relive Friday’s glorious morning,
over and over and over . . .

I will hold you there
in my heart’s amber,
as I’ll hold myself
accountable for prescience.

The moment and you
blur till one
whole tone sustains.

Freedom’s breath fills me,
circulates inside me,
breaks the skin barrier,
to meld me with the air,

carries me aloft.

I spread-eagle
atop cross-currents,
the backroom of existence,

careful not to tangle
in the delicate webs
that are spun there.

I’m a torn balloon,
floating on tattered frame,
broken spine.

Free,
if only for the moment.

© Carlos Chagall, 2013

Cloudhanger

Somebody’s cut the line –
damn it, I dozed!

I’m rising way too fast,
this is not good.

I have no rudder to steer,
no weight to hold me to earth.

Wild careen across cloudscape,
sideways then up then sideways and up.

A monstrous downdraft deals a concussive blow,
stops the ascent dead in its rise,

propels me for a moment into the envelope of the balloon,
barely missing the flames.

My crown-lines appear staked to nearby clouds,
but I know that can’t be.

I stabilize with open jets of whisper burners,
aglow in night-blue sky.

I have no way back down,
except to plummet, finally fall.

But instead, I simply dangle,
cautious not to breathe.

© Carlos Chagall, 2013

Life Pearls

Darkness.

The air is cool,
a powder-blue spot
soaks the black
with hush.

The sharp rap of heels
across the stage,
picked up by the mic as I near.

No one.

The hall is empty,
save the light-man
and me.

Dance.

Arms and legs cross,
I carve graceful lines,
pirouette.

And rest.

Darkness,
the air is cool . . .

© Carlos Chagall, 2013

A Pied Balloon

The arc of my float,
over the village,
a shallow parabola,
steady, deliberate
Pan on a taut guide,
level with those in the loge.

No one flies like this these days,
not like this anymore;
jump, trust, merge into updraft,
simple flip-gravity, easier to float
if you close your eyes.

How I love ascension,
my body carved, massages the flight:
Victory winged at Samothrace.

I’m young and crazed,
a romantic in the gondola, a pied balloon,
throwing out ballast to rise!

At night, low altitude,
I cherish the sight, your fires,
you hovered in the round,
my vantage point just above
tops of pines that surround.

Your laughter draws me,
I lower the flame,
I settle down,
pilot to a spot
right about where you sit.

© Carlos Chagall, 2013

 

The Voice

ahem.

searching for a voice,
but why?

mercurial – don’t ya think
is better?

Static me,
a hum. Blah.

A bum; la-la.
Shoo-bop’s the way.

What I say today
nears expiry,
the moment it exits my mouth.

© Carlos Chagall, 2013

Satyr Day Night

The cold smooth mettle on my palms feels good.
Who’d settle for less? Resilience, brilliant.
Brittle determination, once again.
If at first you’re not succinct, keep trying.
How hard can it be to love a goddess?
Through this powdery mist of calcite dust,
smiling skulls, sentries o’er the center aisle,
chatter and yap about what would’ve been,
lost in the din of her banshee wailing,
as she fritters and frets at the altar.

I still have half my lives, should I worry?
She mallets a xylophone with femurs,
marimba riffs echo in the belfry,
a little daft, cold drafts still, music drifts,
spirals about her, world-beaten dervish,
hungry, weary, oh . . . Oh! Is that the spot?
Spirits resort to ancient tongues, archetypes
press themselves against her stained glass, her apse,
serpentine, mitochondria two-step,
bandannas, denims, and ten-gallon hats.

She bucks the bull without spilling a drop,
her grand cru, a select, distinguished press
comes after the crush of the late harvest,
sweet pulp taken from just below the skins,
careful to remove it from the gross lees
early to avoid the nose of sulfur
that sometimes comes from delaying the heart
too long; let gravity do its magic.
Get the white smokes going to purify
bodies, their bare ass atop cold marble.

I will shake you till your demons break loose,
blow into your lungs, straight through your nostrils,
in sweeping expanses, shift your tempo
to beat with the rhythms of the garden,
celebrate each uptick of new-found grace
in domed silence, ignoring the vanquished
who try hard to detract me from purpose,
as I slip and slide on the viscera
of your most recent spoils, your satyrs
wink and take bets if whether I’ll be next.

© Carlos Chagall, 2013

Madam Recommends

Shoots from the hip,
my upstart, upright protegé,
shimmies like that rich chick Kate,
in chin-length bob and skirt to there . . .
no, higher.

She’s pleased to make
your acquaintance,
bacon, eggs, dry martinis,
your day, you come. Just ask . . .
nicely.

Charleston flapper, sequined queen,
quite a quazy wady . . .
like Katie.

Okay. Oh, hey!
Whatever happened
to K?

Kept going at it
till they swept her away,
off her feet, her game.
Keep hoping she comes back . . .
kinda liked her.

Likewise Bobbie, I’m sure.
I’ll leave you two,
call if you need . . .

© Carlos Chagall, 2013

Dear Follower,

Hello.

I am not writing about you.
I am not writing about anyone, let alone anyone you might know.

I am vamping, riffing, making it up on the fly.
A matador working the cape, entangling the horns as they come.

I am a romantic, a raconteur, a fabulist.
I parry in rhythm and rhymes, in sound, guttural, enunciated.

I do not know you, dear follower. You do not know me.
I do not know me. If anything, I write about the people I know in flesh and blood.

I am inspired by those who have been at my side for my lifetime.
They are here with me now, living the day-to-day, the grind, with love and commitment.

We sweat, laugh, sometimes hysterically until we cry, aching good, chest to chest, cheek to cheek.
Your comments suggest you think I am alone on this planet; au contraire, my life is bohemian rich.

We gypsies take care of us gypsies. Our ladies take care of us very well, thank you.
We are surrounded by generations of love; we partake of sage offerings to make us wise and wired.

Trust me. If I have never met you except in passing here on WordPress, in this blogosphere,
then you are not my motivation. Please do not delude yourself otherwise.

I write for me. I write for her, and him.
I do not write for, nor about, you.

If by chance the words coming off of the page, speak to you very specifically,
convince you that they could only be meant for you, well then, welcome to Poetry.

Our music, like our poetry, is for us. Some of these tunes were written very long ago.
They are written with very specific people and places in mind.

Alas, you are not among those.
Reality check, please.

Hello.

© Carlos Chagall, 2013

Return to Battenkill

Morning, atop a large rock,
a stone lily pad
in the middle of the stream,
a team-span wide.

Cold waters lap at the edges,
while one can ride dry,
at the high and round rump.

I’m there in perfectly old,
tattered blue-wool pullover,
weighted right against
the vigor of this new day.

How wonderful to have
so much morning remaining
to while away.

Dense clusters of small gnatty flyers
dance in ancient patterns,
in the vee-rays of early sun,
radiant light, pervasive heat,
waves in mirage, they flutter there,
bursting from vernal pools.

Rainbows used to dance here,
leave small wakes, glide on eddies,
do backstrokes, with no one watching.

Masterful puppeteer of lightweight test,
set dry flies still,
perfectly still.

With but the slightest
tremor, concentric break of the surface,
from the rainbow’s vantage.

Just enough to stir curiosity,
a sniff, a poke,
enough to spring the snap.

Nothing sadder than a rainbow in mid-air,
regretting prior impulse.

The change is sudden, inevitable,
decisive.

Snow on Battenkill
falls in crunches,
bunches in feet to yards
high, the wisteria that bough low to the banks,
shaggy, warm under all the cold,
lilac tongues out panting,
with winter body heat,
home to dead butterfly larvae;

dome holds the sound in,
the sound out;
you can walk anywhere,
the terrain is level,
white and wet.

Though not witnessed by anyone or anything,
I left footprints in November,
in the carry along the north rise,
that held their shape and depth,
through March.

I look forward to final frost,
to clear and distinct birthing,
of all that is,
there ever was.

The future is merely supposition.
Isn’t it? The ice, the same as the dew.

I would rather choke
on the freezing waters
filled with silt from the moving,
running bottom,
than trapped in the upper layers,
locked frozen in time.

© Carlos Chagall, 2013

Please see here for the original Battenkill

You look so familiar under the brim,
sun-warmed straw hat,
Panama Blue, foamed
white clouds, nothing but
horizons.

Tan sand warm,
cinnamon, toast.
Sweet samba,
how you walk!
Swept, spectacular buttocks,
on the upswing,
always.

You can never have enough limes:
repeat that three times.
I’ll wait . . .

I cut you off at the sink,
and we dance a quick
1-2 and
end in a kiss
to punctuate the up-beat,
the turnaround.

You break, your own time,
to whirl barefoot
on terracotta,
snap you fingers, close your eyes,
shake, rattle, roll,
in private, pondering,
your own reverie.

I gulp big palmfuls
of healing water,
cold ladles of quenching, drench
over parched tongue,
lips and palette.

I twirl you
in white rooms,
underneath silks,
wound up like a top,
in emerald,
teal and rose.

I pull your puffy lips
with my own, release,
they snap back,
emboldened, laden with
blood, alive.

Your frame,
head through neck,
wriggly shoulders,
down the curve of sides,
meringue hips.

Swing, long body!
In the wind, in the night,
lean and pose,
poise, stretch
tight, grace,
ease into a self-arc.

You are a time from before,
you bring me back
to salty winds,
high spires in glare,
too bright
to bear.

Surf, roll over me,
endless slow shoosh
of shaving cream
echoes, royal.

You, like a shark,
swimming the surface,
under deep violet skies.

Cutting your arms
in perfect vees,
all along the waterlne.

Propelled,
as if floating on air.

© Carlos Chagall, 2013