Archive for September, 2013


Puerto Rican Raspberries

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Welcome to
the back-lot tour,
a behind the scenes look
at the magic;
come follow me
underground.

Though steam and sulfur surround
you’ll notice, that everything
is a prop: fake, phony,
just a load of crap,
nothing’s quite
as it seems.

Come further!
Let’s take a back-lot tour
of the back-lot,
follow me
lateral, sideways.

Though sound and scent pervade
you’ll glean, that essentially
all matter’s the same:
uncertain, nebulous,
ping-ponging stuff,
imbued with a mind of its own.

Want to go even one step beyond?
Hell yeah, man –
let’s do it!
A peek behind the curtain
of the back-lot of the back-lot:

there’s a room where static builds
like gas, waiting for a spark,
and my favorite uncle is sitting there
saying Carlos,
pull my finger!

© Chagall, 2013

Whether Report

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Like a hot moist cloth
across the face and shoulders,
a tightening of the chest,
feels like a ribbon
must be the muscle and tenon
there above the
hollow at the center
and the nervousness of the knees
arched ankles
about to pivot
head down at the neck
uncomfortably so
the same image
over and over
as bullets of regret
riddle the face
and tears fall
partly cloudy
scattered showers
crying until Wednesday
after the break
a look at what
the weekend holds in store.

Jill, back to you.

© Chagall, 2013

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It’s a favorite mirror of mine,
one where I still look good
popping a collar
or doing my best James Dean.

Background behind me
is plainly patterned
so I stand out
in bold relief –
the soft lighting helps a lot,
ambient, aside, overhead
but not directly.

I try to catch me in profile
but my eyes always seem
too shifty,
glancing as one must
to catch the view,
viewing one
glancing as such.

I use fingers,
not combs,
for the poet’s look
tousled  –
save money on gel
that way too.

I no longer do
that mirror-to-mirror thing
where I watch myself
cascade to infinity,
or catch myself
walking away.

Speaking of which,
once there was a face
at my shoulder,
but she’s gone now,
off to some other room,
maybe some other mirror.

© Chagall, 2013

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New day same old way
Next phase of this daily daze
Life’s gravity weighs

© Chagall, 2013

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It happened one year
after lightning

ripped his heart
and burned his wall

jumped from window
to light

to T.V.
to bed

with the force
of almighty God

a chain of events
that would leave him

damaged

cells disinclined
to proceed as they’d been blessed

DNA gone astray
after a handful of years

five incredibly precious
short and wonderful years

I still hear the sound of his Big Wheels
their rumble on cobblestone

he’s a crazy
Grand Prix driver

pedals outracing
feet

his time flies
close

behind
too fast

sweat
soap
bubblegum

boxes of super heroes

who lost their powers
their capes
and magic flying machines

he liked when I’d read him fables
bedside before our prayers

he never understood ever
what was going on

he’s gone now
but still calls me

I rise in dreams
to answer

but he has no questions for me

just hugs
and kisses
and waves

and as I lean in when he whispers
he giggles, he’s so silly

bye-bye daddy
love you

bye-bye daddy
goom-bye

© Chagall, 2013

Immersion

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Years ago
I studied French
took my cassettes
wherever I’d go

would carry my Walkman
partout

écouter et répéter
everyday on the subway

pretended I was
sur le Metro

would sing
with Aznavour
(my back turned
in the shower

my hands like another
lover’s, running
down my back)

trimmed my mustache
a la Hercule Poirot

smoked, opined existential
posed as Sartre would

cried in quiet solitude
painted my face
just like Pierrot

and ogled the ladies
as Vadim must have
Bardot

peut-être jusqu’à demain,
peut-être un autre jour

© Chagall, 2013

Haiku For Icy Entombment

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No sound anywhere
thick sheets of snow engulf me
my cold white canvas

© Chagall, 2013

Evolving

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This morning on waking
before even a rub, a squint
or reaching for the spectacles by the bedside
I lie here and stare
at the shapes at play
in the darkness of pre-dawn

The artist is a fan
of dark color on the palette
to capture the amoeba who swims there
in the deep blue paisley soup

Until the dawning
when one-celled creatures
multiply, turn millipeds
rise from the brine
rear heads
brush teeth
and head out to face the day

© Carlos Chagall, 2013

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It appears to be confetti
fluorescent lilac petals
falling in the black arena

amphitheater aloft
with swings
on long sterling chains

silky stocking smooth
you can dance on a star
miles-long pendulums
catapult you ’round the horn

the belt-line
of the Milky Way

moons bigger than suns
but trees bigger still
right here in my backyard

her face just inches from mine
blocks the universe
whole

her lips
larger than life
appear where my heart
used to be

displaced
she pounds
like a pacemaker
sets the tempo
of my time

passes the baton
in the oval
of the race
for my being

such a kick in the stretch
the hurrah of the throng
is ticker-tape

along the ridge
in silhouette
a traveling man
with all his belongings
wrapped in a pillowcase

sings
unquiet
unwritten
unfinished
songs

whistles
effervescent

a tune she knows
she’s heard
long ago
in a dream
it seems

star-bound
earthward
and spellbound

© Chagall, 2013

It Feels Earlier

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Twilight doesn’t swirl
move in tandem
or whisper as it did
when the time
between evening to dusking
stretched longer than today

rosetted sunsets barely touched
the eye and the hue
of nighttime garments
delicate, fringed

Corselettes massage
the brace of it
forcing the soul upright
to attentive pose

lean bodies
sinewy, still young
cheeks blushed with the skies pinks
reflecting new-day promise
and everywhere a freckle

now nowhere a dimple
or a wink
to conjure
the crazy thoughts
or to stir the violet echoes

© Chagall, 2013