I use the word alight a lot
for I often discuss birds and souls in flight
who seek rest upon branches and stars
And twilight too
is more than mere sound
with its unvoiced tease
at the beginning
at the end
unbreathed tongue stopped
air pressure
too many times
does birthed crop up
no one really sires ideas
or a new me
with the frequency that I imply
and reams of dreams
a shortcut for setting
context for symbols
cleverly
awakened by cymbals
from the room below
a drumroll, good speakers
sounds like vinyl pushing air
a zoot sizzles on a zildjian
a zephyr in the treetops,
how I love a good canopy
a hazy cool gone wild
in the midst of the pink, in the mist on the brink
I ideate to while away the time
while sexy somnambulists samba
sweaty in summer
I write little (nothing?)
about afternoons, interims, go-betweens
or what the germans call something-something-blick
the blur that's there but not seen
when you move your eyes from right
to left rapidly
to leave suddenly is a theme of mine
whether by death, or train, or a slip in the night
usually twilight, never mid-day
to help spawn a new you
love lost then found! then lost again
twice alit
I overuse heaven and frenzy
rarely mention hell except on earth
for a short while I SO LOVED
oxygenate and its various noun and verb forms
even in haiku
(...a kid'll eat ivy too, wouldn't you?)
and photons, and light, and sentience, and all things eternal,
goddesses more often than gods, one God, non-dual, trinities,
Evans' trios and Miles's quintets
peace and hope and love and Gaia
but always somewhere lurked a kiss
a soft and quiet run of a finger
a long stretch of skin
a shudder, a tickle
the lost picture of the only thing lost,
a haunting interval
perhaps an interim at last
a hint at what takes place
beyond the ellipsis
cc: CC 2022
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