Latest Entries »

Colors in the Air

I jump like diced onion
on the hot wok, your tongue,
splattered oil, virgin from grease,
too low a smoke point
to be in this fray.
My hands heal, don’t they?
like hovercrafts,
just barely over,
the niblets you bare there,
perfect triple toe
double
sokow,
yours for the asking.
icy toe
loops
frozen chips
fly, like diamond
teeth, rub you,
fever
down, rub you, fever
spikes, up
the wall, my knuckles
the back of your head
against sheetrock,
steady rocking,
neighbors toe tapping
to the beat,
smiles on their faces,
when the fat lady sings,
she’s a rainbow,
comes in colors,
true divas,
not pop divas,
come
in coloratura.

© Chicheme, 2013

pretending you’re pinero?
wearing designer guinea tees?

high cheek-boned maricón,
puckered, 22nd century james dean hologram,
pretending you’ve tasted a five-finger blade.

watch your step.
you’ll end up like kenny wild
did on that bench in 10th street park
by the band shell.

the less than grateful
dead hippies and hare krishnas
danced around his body while he drained out.
hare rama rama krishna this, pendejo.

Dysfunctional, dystopian fuckup,
mad max moron,
in your little leather ear muffs,

blade runner wannabe,
reigning like a runt,
at command central, U.S.A.

pretending you the real deal.
Oh shit, ROFL ROFL ROFL!!!

you ever meet Short Eyes
coming at you in the cage
at dannemora?

or tangled with dynamite brothers,
and run with ghost shadows?
juiced on opium and hair tonic

strained through a cheesecloth,
shaken not stirred,
beaten because they care for you.

right flaco?
you, pato, I’m talking to you.
here, gaze into the bowel.
sphincter, tu chupa?

© Chicheme, 2013

Division By Zero

So, how many people are there on the planet?
A quick search reveals there are five
point five billion.

With my handy pocket calculator,
powered by the sun, by the way,
I figure this is two to the thirty-
second power,
give or take a power.

I record my voice, I hum an A, four hundred
forty Hertz,
pure tone that I bounce to a second
track, so now there’s two of me.

I repeat, there’s four of me, again, there’s eight, for
thirty two times, give or take
a power, until
I achieve a chorus of me,
numbering five
point five billion.

I sit there under headphones,
in perfect surround sound,
the volume turned way up.

I am all that there is.

© Carlos Chagall, 2013

Room Below, Drumroll!

Sebastien Greco, Vocals
Carlos Chagall, guitars, bass

From the room below there’s a drumroll,
from good speakers, sounds like vinyl
pushing air, down below.
And up top a zoot sizzles on a Zildjian,

a zephyr in the trees,
just a haze, a cool gone wild.

In the mist, in the pink, in the midst, on the brink,
of a turnaround, one more time, leave it unresolved,
dead on the beat.

The pickup at the start
like bells on horses, loping slow in winter
but picking up speed. There! In the glass!
Under rough blankets drawn up o’er our heads,
or on a summer day, with the sheets drawn down,
tracing dusty rays.

Some spittle, a lick on a stick,
it’s just a rattle, a roll,
a drag across cobblestone.

I blow smoke, Ringolevio,
and 3 steps over Germany,
in the ether I’m there.
On your rooftop coming down on your fire escape
breathing in thin air, gone dizzy
in somber altitude, I unjustly expire.

Rough blankets drawn up o’er our heads,
or on a summer day, with the sheets drawn down,
tracing dusty rays. Some spittle, a lick on a stick,
it’s just a rattle, a roll, a drag across cobblestone.

From the room below there’s a drumroll,
from good speakers, sounds like vinyl
pushing air, down below.
And up top a zoot sizzles on a Zildjian,
a zephyr in the treetops,
just a haze, a cool gone wild.

In the mist, in the pink, in the midst, on the brink,
of a turnaround, one more time, leave it unresolved,
dead on the beat.

© Carlos Chagall, 2013

Point Sienna

From the beach to our summer house, you left
dark gray and barefoot prints disappearing,
a pace of one gone, every four you took,
evaporating there in the hot sun,
baking the pavement, in visible mist,
fully rendered, pointillistic, then gone …
Poof! I’m amazed you didn’t burn your soles.

You draped your long body exotically
with a wrap of sea greens, aquas, sun golds,
backdrop to the blue heather of your eyes.
Earlier, at the ocean pretending
we were the first to arrive here, this bank,
this coast side, this planet, this time around,
you turned to point, fins skimming the surface,

then turned to me, your face filled with waiting
my response, but I’d not heard the question,
as waves consumed your voice and I’ve wondered
what it was exactly you said that day.

She searches for sea shells, slowly combs sands,
then wades out waist-high; the surf erases
yesterdays’ traces, and less is no more.
She, it’s just she, shucking shells by the shore.

© Carlos Chagall, 2013

Geoffrey Burbridge died on February Ninth, Twenty Ten.
He was Eighty Four and survived by his wife Margaret.
In Nineteen Fifty Seven, he wrote a ground-breaking piece:
The Reviews of Modern Physics – We Trace Back To Stardust.

Stars explode, burn helium, create oxygen; carbon
lithium, hydrogen, mix; Time’s magic primordial.
I imagine soft incantations spoken in darkness
somewhere on the universe edge; blessings, benedictions.

Geoffrey met Margaret, a lecture in London, they married.
They said Doctor Burbridge did not believe in the big bang,
rather a steady-state theory that posited many
big bangs, occurring every Twenty Billion years or so.

Big bang? Steady state? Either way, we’re golden, made of stars.
Geoff’s friend Al said, “We’re brothers of the same supernova.”
Goodnight, thank you Geoffrey, for your bold stroke to connect us.
Wish I may, wish I might, help you find Margaret here tonight.

Born of stardust, starlight release me! Be jeweled, firmament.

© Carlos Chagall, 2013

Paper, dried twigs, a match.  Light the paper, kindle the twigs.
Then lay thumb thick branches atop the small conflagration.

Like young princesses waiting to be bathed.

The paper dissolves, lost in carbon to the universe.
The twigs hold fast to the fire, pyre for royalty.

Larger logs, like lazy kings, nap on thrones.

Two down, two across, tic-cat-toe, flue air, sentient roar.
Lullabies lick orange-diamond demon cats in the hearth.

Queens purr steady in updraft; a house of fire tumbles,
from the top to the bottom, humbled to kindle the next

prince foolish enough to want to be king.

© Carlos Chagall, 2013

I imagine I’m holding him again,
new born, swaddled, miniature holy man,

in hospital blanket, white wool skull cap.
He fits in one hand neatly.  I hold him

carefully; unearthed, rare, fragile relic.
Now he averts the fullness of my hug,

glancing embraces until the next time,
and the time after that, until no more.

The farthest light reaches me now from then.
I go to sleep knowing he won’t be home.

© Carlos Chagall, 2013

Walled In

Read Walden again to regain
the remains of what’s sane.
Thoreau’s thorough, throughout I thought.
My ache for an acre or two, won’t do.

Sharing berth, sun and earth,
milking time, all its worth.

Persist, exist, merely;
subsist.

Time is the currency of choice.
Steadfast, intent, I avert diversions
pecuniary;

peculiar
habit this nine to five,
it keeps me from keeping
holy,

wholly alive.

Everyday’s a weekend; weakened
daily.

I need to go backwards,
to get ahead, I’m losing
step.

A new cadence, known decadents,
decades of whispering
about different drummers: hum-drum rumbas.

Nobody’s doing this samba,
sadly.  Somnambulists get in the way.

Got to get far away, to get
closure.

A room by a pond, unfurnished to go.
I won’t be sticking around to get stuck.
Bound homeward, upward, northward, and westward,
into the wood, Henry David, I go.

Hi-ho!

© Carlos Chagall, 2013

Sarah Needs A Ride Tonight

Original lyrics & composition – Carlos Chagall, 2013

Sebastien Greco, vocals
Carlos Chagall, guitar+
Chloe, vocals
Papo Cuadrado, percussion
Dede Rivera, Bass

 

Sarah needs a ride tonight.
I take her where she wants to go.
To the edge of town,
maybe heaven’s door.

I keep the conversation light,
there’s something in the air tonight.
She keeps it deep inside her,
keeps it locked away.

The glow of Sarah’s cigarette,
the smell of her perfume,
and she finally finds a song she likes on the radio.

She hums a tune she knows she’s heard,
long ago in a dream it seems;
keeps her spellbound,
all wound down.

My wipers beat against the rain,
as Sarah starts to cry.
It’s the long road home I’m taking
just to kill some time.
She says, “You all expect too much,
you wonder who I am.
I’ve got a room of broken mirrors,
that don’t work so well.”

We hum a tune
we know we’ve heard
long ago in a dream
it seems, keeps us spellbound,
all wound down.

A sad song plays on the radio.

I reach beyond the broken glass,
it cuts me to the bone,
to the secret place she’s hiding,
that she calls her own.
I say, “I don’t expect that much,
I don’t care who you are.
Let’s fly away.”

A sad song plays on the radio,
keeps us spellbound,
all wound down.

© Carlos Chagall, 2013