And the women? Ah, the women drive you crazy with their lazy way of talking at you, pouting. Whisper voulez-vous. I never should have come to Paris. I don't seem to be the kind. Two walk the rainy streets along Versailles. The Ile of France, where emperors dance, and the old dome, Notre Dame, leave me breathless tonight. I never know which side of the Seine I'm on. I'll just ask a bookanista, they all know me, call me "Mon ami, l'americain." - to be continued - Carlos Chagall, 2013
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Chagall, look! It’s you!
Sebastien Greco pointing to Marc Chagall lithograph on exhibition, 2003, Musee D'Orsay, Paris, France
They say failed aerialists know that the last fall is the hardest. But such a sweet kiss when you hit the ground. My soul turns somersaults now. I hesitate to let go, I don't dare. I just watch you as you sail on by, reaching for the air. Updraft tumbles me wildly. I flutter by, bye baby. They say fallen trapezists know that to miss time is to lose heart. It's such a sad kiss when you say goodbye. Chicheme, March 2013
I'm at a hotel in Paris, on a balcony overlooking Rue Chambiges, in the 8th arrondissement. Did you hear? I bummed three cigarettes from le garcon at the Bistro. Thought I'd given that all up so many years ago. But as Parisians do, I guess so go I. Gonna savor the flavor on the balcony in Paris tonight, ce soir, in Paris. I cannot see the Eiffel Tower from where I am, but they tell me that it flickers, on the hour, just like lovers gone wild. Too many gypsies on the street play guitar with all their fingers, so they cannot be real gypsies, or can they? Not like Django, French tango, tell me, where'd the old gang go? - to be continued - Chicheme, March 2013 arrondissement, Django Reinhardt, 8th arrondissement
Haiku Redux is not a bad name for a band. Don't you think? I do. They'd play all their tunes in seventeen four time, or eighteen, but who's counting? Chicheme, March 2013
The melody haunts on the offbeat, my heart's pulse. Sad, but hopeful, maybe. The fuzzy reeds, breath through tenors, piano and bass both upright shake sand castles loose at the turrets. Doubtful brushes swirl on snares, precise in ambiguous beat, more color, than anything electric. A young girl, neon green bikini, samba prone on her lounger under ear buds, to her own muse, or maybe disposable pop. Surf rolls. Hear that oh so soft brush on cymbal? Grab it, now hold it, now fade. Chicheme, March 2013
I'm a wire thin warrior on rooftops in starlight. Red-shifted from eons up alleys, down fire escapes. Black and white flickers from Telstar, from before the flood, but after the mad dash. Back in the day, on Eleventh and A, who knew we were in Alphabet City? Or that Twelfth and D would be the place to be? On Tenth and First we'd quench our thirst with piragüa in July, coquito in June, from the little man with the blue pushcart and the green balloon. So much love, so much heart, so sweet, so right, see you on the corner tonight. Oyeme mulata! Che che colé, que bueno e'? Chicheme, March 2013 Links Telstar

And the women? Ah, the women
drive you crazy with their lazy
way of talking at you, pouting.
Whisper voulez-vous.
I never should have come to Paris.
I don't seem to be the kind. Two
walk the rainy streets along Versailles.
The Ile of France,
where emperors dance,
and the old dome, Notre Dame,
leave me breathless tonight. I
never know which side of the Seine I'm on.
I'll just ask a bookanista,
they all know me,
call me "Mon ami, l'americain."
- to be continued -
Carlos Chagall, 2013