I love Friday nights
I think they deserve
more than their 14%
weekly allotment
Chagall 2015
I love Friday nights
I think they deserve
more than their 14%
weekly allotment
Chagall 2015
The cold smooth mettle on my palms feels good.
Who’d settle for less? Resilience, brilliant.
Brittle determination, once again.
If at first you’re not succinct, keep trying.
How hard can it be to love a goddess?
Through this powdery mist of calcite dust,
smiling skulls, sentries o’er the center aisle,
chatter and yap about what would’ve been,
lost in the din of her banshee wailing,
as she fritters and frets at the altar.
I still have half my lives, should I worry?
She mallets a xylophone with femurs,
marimba riffs echo in the belfry,
a little daft, cold drafts still, music drifts,
spirals about her, world-beaten dervish,
hungry, weary, oh . . . Oh! Is that the spot?
Spirits resort to ancient tongues, archetypes
press themselves against her stained glass, her apse,
serpentine, mitochondria two-step,
bandannas, denims, and ten-gallon hats.
She bucks the bull without spilling a drop,
her grand cru, a select, distinguished press
comes after the crush of the late harvest,
sweet pulp taken from just below the skins,
careful to remove it from the gross lees
early to avoid the nose of sulfur
that sometimes comes from delaying the heart
too long; let gravity do its magic.
Get the white smokes going to purify
bodies, their bare ass atop cold marble.
I will shake you till your demons break loose,
blow into your lungs, straight through your nostrils,
in sweeping expanses, shift your tempo
to beat with the rhythms of the garden,
celebrate each uptick of new-found grace
in domed silence, ignoring the vanquished
who try hard to detract me from purpose,
as I slip and slide on the viscera
of your most recent spoils, your satyrs
wink and take bets if whether I’ll be next.
© Carlos Chagall, 2013

I have a number of wonderful binders –
a half-page green
marble com-
position, wide-rule;
a handmade leather
sketchbook unlined
from High Peak Craft, Tucson, Arizona, complete
with a leather loop to tie around
a post, to tassel shut;
a traditional 5-
subject $2.59
college-rule
with pocketed dividers,
perforated pages
– to name a few, in which I collect,
scribe and pray.
I occasionally doodle en obscura,
white space
I cordon off, masterful strokes,
black felt-tip markings, marginalia
that I intend to evolve someday.
Snippets, idea-ettes,
need water, vigorous nurturing
to imbue them with form.
Each one on their own not much,
but collectively a definitive assortment
of their own reckoning.
The words concise, intentionally imprecise,
neatly contained in inches, blocks sized
two by two, or four by four,
like so many
synapse
whistling
a happy tune
along
the
dusty
trail.
© Carlos Chagall, 2013